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Towards the end of summer in 1940, retired World War I colonels Paul Hauet and Dutheil de la Rochère met near the École Militaire to observe a defaced statue of World War One General Mangin.[1] German soldiers had destroyed the statue and the two colonels were united under cause to refuse defeat and drive the Germans from French soil.[2] While they would come to work at one goal to create and distribute intelligence reports on German infantry, Hauet and Rochère achieved access to the Musée de l'Homme resistance clique due to an "unaffected,"[3] Germaine Tillion and her close contact with the organization.[4] Tillion was an anthropologist who had attended meeting and seminar locations on anti-Nazi propaganda at the Musée de l'Homme and she was acquainted with partners Anatole Lewitzky, Leo Kelley, Yvonne Oddon, Paul Rivet and Boris Vildé.[5] Using her "big brain with a big, brave heart,"[6] Tillion served as a bridge connecting Rochère and Hauet with the Musée de l'Homme until her arrest in August 1942.[7]
She was a prominent member "capable of resisting,"[8] who was devoted to her research as a culture analyst on African tribes in Algeria.[9] When the resistance failed with nineteen members arrested by 1941, Tillion continued to oppose German occupation with surviving faculty and tried to win clemency for her comrades from the Musée de l'Homme.[10] She procured the archbishop in Paris to send a letter to Adolf Hitler asking for leniency towards resistance members and operated hundreds of letters that were sent into Paris asking for forgiveness.[11] She underlined the betraying of secret Gestapo agent Albert Gaveau and condemned the pro-Nazi supporter Canon Tricot as he came to replace the secretary for the archbishop before trial.[12] Even though she was coerced to set up in the concentration camp Ravensbrück after being arrested and her mother died, Tillion called for and taught education to her fellow inmates and created a plan to reshape French education and curriculum after liberation.[13] She helped impose the Musée de l'Homme resistance and proceeded the concentration camp to publish an article on the occupation in 1958.[14] The École Militaire cues an important part for the Musée de l'Homme resistance because Hauet and Rochère were directed by Tillion to the Musée de l'Homme to strengthen opposition to German rule.[15]
[1] David Schoenbrun, Soldiers of the Night: The Story of the French Resistance (Scarborough: New American Library, 1980), 69.
[2] Schoenbrun, Soldiers of the Night, 70.: Lynne Taylor, Between Resistance and Collaboration: Popular Protest in Northern France, 1940-45 (Basingstoke: Macmillan Press Ltd, 2000), 63.
[3] Agnes Humbert, Resistance: Memoirs Of Occupied France, trans. Barbara Mellor (Bloomsbury Publishing Plc, 2008), 42.
[4]Schoenbrun, Soldiers of the Night, 70.: Alan Riding, And the Show Went On: Cultural Life in Nazi-Occupied Paris (New York: Alfred A. Knopf, 2010), 110.
[5] Schoenbrun, Soldiers of the Night, 70.
[6] Ibid., p. 71.
[7] Ibid., p. 75.: Riding, And the Show Went On, 115.
[8] Germaine Tillion, Germaine Tillion on the birth of the Resistance (From sisters in Resistance), In Agnes Humbert, Resistance: Memoirs Of Occupied France (Bloomsbury Publishing Plc, 2008), 309.
[9] Margaret Collins. Weitz, Sisters in the Resistance: How Women Fought to Free France 1940-1945 (New York: John Wiley & Sons, Inc. , 1995), 296.
[10] Riding, And the Show Went On, 113-115.: Schoenbrun, Soldiers of the Night, 121.
[11] Schoenbrun, Soldiers of the Night, 121-122.
[12] Ibid., p. 122.
[13] Ibid., p. 121.: Weitz, Sisters in the Resistance, 14-15.
[14] Schoenbrun, Soldiers of the Night, 121.: Humbert, Resistance, 284.
[15] Schoenbrun, Soldiers of the Night, 70.